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In this paper, I defend the claim that objectivity, in classical phenomenology, is best read as an instituted invariant: not a static given but the diachronic achievement of cooperative validation within transcendental i...

The paper investigates Art Spiegelman’s Maus from a psychoanalytical perspective by drawing on the concepts of Thomas Ogden’s “analytic third” and Jessica Benjamin’s “intersubjectivity” to expose the traum...

INTRODUCTION. The concept of authenticity is analyzed as one of the key concepts in the theoretical and literary practices of metamodernism, which is related to the increased attention of modern literary criticism and hu...