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Gender performance and spatial negotiation in the neo-victorian novel

Pettersson, Lin Elinor · Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga · 2014

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The present volume examines Judith Butler’s concept of gender performance in Angela Carter’s _Nights at the Circus_ (1984), Sarah Waters’s ¬_Tipping the Velvet_ (1998) and Peter Ackroyd’s _Dan Leno and the Limehouse Golem_ (1994). All of them depict how female performers make use of the stage to expose gender identity as an act performance and in doing so they destabilise the public/private dichotomy.

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APA 7

Pettersson, L. E. (2014). Gender performance and spatial negotiation in the neo-victorian novel. Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga. https://nodovox.com/record.php?id=398149

MLA

Pettersson, Lin Elinor. Gender performance and spatial negotiation in the neo-victorian novel. Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga, 2014. https://nodovox.com/record.php?id=398149.

Chicago

Pettersson, Lin Elinor. 2014. Gender performance and spatial negotiation in the neo-victorian novel. Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga. https://nodovox.com/record.php?id=398149.

Harvard

Pettersson, L. E. 2014, Gender performance and spatial negotiation in the neo-victorian novel, Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga, available at: https://nodovox.com/record.php?id=398149 [Accessed 9 Aug. 2026].

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Resource details

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Title
Gender performance and spatial negotiation in the neo-victorian novel
Author / contributors
Pettersson, Lin Elinor
Publisher
Servicio de Publicaciones y Divulgación Científica de la Universidad de Málaga
Publication year
2014
ISBN
ISBN electrónico: 9788497478670
Language
English

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