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The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”

N. Ya. Yatskiv · Vasyl Stefanyk Carpathian National University · 2016

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The article studies the aesthetic theories of the French art of the middle of the XIX century through the interaction between literature and painting. In the novel “Manette Salomon” the Goncourt brothers formulate their innovative views of the ways of the development of art through the artists’ efforts to express Beauty. The five painters, different in terms of talent and skill, express the writers’ pluralism in creating the aesthetic ideal. The writers are on the side of those who constantly strive for self-improvement, who do not approve of imitating reality but invent in constant creative torments new ways and techniques in order to express one’s own individual perception.

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APA 7

Yatskiv, N. Y. (2016). The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”. https://doi.org/10.15330/jpnu.3.4.84-89

MLA

Yatskiv, N. Ya. "The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”." 2016. https://doi.org/10.15330/jpnu.3.4.84-89.

Chicago

Yatskiv, N. Ya. 2016. "The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”.". https://doi.org/10.15330/jpnu.3.4.84-89.

Harvard

Yatskiv, N. Y. 2016, The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”, Vasyl Stefanyk Carpathian National University, available at: https://doi.org/10.15330/jpnu.3.4.84-89 [Accessed 7 Aug. 2026].

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Title
The Pluralism of the Artist’s Image as a Search of an Aesthetic Motto in the Goncourt Brothers’ Novel “Manette Salomon”
Author / contributors
N. Ya. Yatskiv
Publisher
Vasyl Stefanyk Carpathian National University
Publication year
2016
ISSN
2311-0155
ISSN
2311-0155
Language
English

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