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The Flickering Philosophy of Impressionism: a Literary-Critical Perspective

Roman Golod · Vasyl Stefanyk Carpathian National University · 2020

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The article discusses the attitudinal and philosophical premises of impressionism as a literary movement. The author explores the causes of difficulties associated with identifying literary works as impressionistic. The paper then explores the reasons for the shift in the attitudinal and philosophical conceptualization of impressionism from rationalist positivism to irrationalist trends in the “philosophy of life”. The conclusion discusses the impact of the philosophical basis of impressionism on the character of its poetics.

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APA 7

Golod, R. (2020). The Flickering Philosophy of Impressionism: a Literary-Critical Perspective. https://doi.org/10.15330/jpnu.7.2.77-84

MLA

Golod, Roman. "The Flickering Philosophy of Impressionism: a Literary-Critical Perspective." 2020. https://doi.org/10.15330/jpnu.7.2.77-84.

Chicago

Golod, Roman. 2020. "The Flickering Philosophy of Impressionism: a Literary-Critical Perspective.". https://doi.org/10.15330/jpnu.7.2.77-84.

Harvard

Golod, R. 2020, The Flickering Philosophy of Impressionism: a Literary-Critical Perspective, Vasyl Stefanyk Carpathian National University, available at: https://doi.org/10.15330/jpnu.7.2.77-84 [Accessed 5 Aug. 2026].

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Title
The Flickering Philosophy of Impressionism: a Literary-Critical Perspective
Author / contributors
Roman Golod
Publisher
Vasyl Stefanyk Carpathian National University
Publication year
2020
ISSN
2311-0155
ISSN
2311-0155
Language
English

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