Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let

Tereza Hrušková · Karolinum Press · 2017

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Author / responsible party

Tereza Hrušková

Publisher

Karolinum Press

Year

2017

ISSN

0567-8293

ISSN

0567-8293

Language

ces

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This work deals with a physical body imprint in Art of sixties and seventies, analysing – in a form of comparative and case studies – selected works of the Czech sculptor Eva Kmentová (1928–1980). The issue of body imprint is gripped in a broader theoretical context and is based on decisive foreign works of George Didi-Huberman and of Rosalind Krauss with Yve-Alain Bois. The aim of the thesis is to show another possible perspective of Kmentová’s work in the much broader international perspective.

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APA 7

Hrušková, T. (2017). Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let. https://doi.org/10.14712/24647055.2016.24

MLA

Hrušková, Tereza. "Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let." 2017. https://doi.org/10.14712/24647055.2016.24.

Chicago

Hrušková, Tereza. 2017. "Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let.". https://doi.org/10.14712/24647055.2016.24.

Harvard

Hrušková, T. 2017, Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let, Karolinum Press, available at: https://doi.org/10.14712/24647055.2016.24 [Accessed 7 Aug. 2026].

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Title: Eva Kmentová a tělesný otisk v umění šedesátých a sedmdesátých let

Author / contributors: Tereza Hrušková

Publisher: Karolinum Press

Publication year: 2017

ISSN: 0567-8293

ISSN: 0567-8293

Language: ces

Subjects

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Eva Kmentová; Jindřich Chalupecký; Giuseppe Penone; George-Didi Huberman; Yve-Alain Bois; Rosalind Krauss; Konfrontace (The Confrontation); body imprint; index; photography; object; informe; formlessness; surrealism; skin; fragment